The secret room underneath a house reveals the mysteries of the Iron Age

An unexpected discovery has revealed ancient artwork that was once part of an Iron Age complex beneath a house in southeastern Turkey. The unfinished work shows a procession of deities depicting how different cultures came together.

The looters initially broke into the underground complex in 2017 by making a hole in the ground floor of a two-story house in the village of Basbük. The secret room, carved in limestone, stretches 30 meters below the house.

When the looters were caught by authorities, a team of archaeologists carried out a rescue excavation to study the significance of the underground complex and the rock art in the fall of 2018. 2018 before erosion could further damage the site.

The artwork was created in the 9th century BC during the Neo-Assyrian Empire, which began in Mesopotamia and expanded to become the greatest superpower at the time.

This expansion included Anatolia, a large peninsula in Western Asia that included much of present-day Turkey, between 600 and 900 BC.

Study author Selim Ferruh Adali, an associate professor of history at Ankara University of Social Sciences in Turkey, said: “As the As‌syrian Empire exercised political power in Southeast Anatolia, as‌syrian governors could their power through art in the style of the As‌syrian court”.

An example of this style is the carving of monumental stone reliefs, but Neo-Assyrian examples are rare.

Mix of cultures

The work reflects the integration of cultures instead of complete conquest. The gods have their names written in the local Aramaic language. The image depicts religious themes from Syria and Anatolia and is created in an as‌syrian style.

“It shows that during the early Neo-Assyrian period that controlled the region, there was local coexistence and symbiosis of As‌syrians and Arameans in an area,” said Adali. scholars studying the nature of empires an outstanding example of how regional traditions can maintain their voice and importance in the exercise of imperial power represented through monumental art” .

Part of the artwork features Hadad, the storm god, and Atargatis, the main goddess of northern Syria.

The artwork shows eight gods, all unfinished. The largest one has a height of 1.1 meters. Local deities in the artwork include the moon god Sin, the storm god Hadad, and the goddess Atargatis. Behind them, the researchers were able to identify a Sun god and other deities. The depictions combine symbols of Syro-Anatolian religious significance with representative elements of as‌syria.

Adali said: “The inclusion of Syro-Anatolian religious themes (illustrated) an adaptation of Neo-As‌syrian elements in ways one would not have expected from previous findings. They reflect a period. earlier period of the as‌syrian presence in the area when local elements were more emphasized”.

Upon discovering this artwork, study author Mehmet Önal, a professor of archeology at Harran University, Turkey, said: “When the dim light of the lamp revealed the gods, I trembled. up with fear when he realized he was facing the very expressive eyes and majestic face of the storm god Hadad.

Many things are still hidden in the secret room

The team also identified an inscription that may indicate the name of Mukìn-abù, a Neo-Assyrian official who served during the reign of Adad-nirari III from 783 to 811 BC. Archaeologists suspect he was assigned to the area at the time and was using the complex as a way to appeal to locals.

Basbük divine procession panel with layered interpretive character drawings.

But the structure is incomplete and remains unfinished during all this time, suggesting that something was up against its builders and artists to abandon it – possibly even an uprising.

“I was shocked to see the Aramaic inscriptions on such works of art, and a great sense of excitement pervaded when I read the names of the gods,” Adali said.

The site was closed after the 2018 excavation because it was unstable and could collapse. It is now under the legal protection of the Turkish Ministry of Culture and Tourism. Archaeologists are eager to continue their work as excavations can safely resume and capture new images of the artwork and inscriptions, and possibly uncover more. artwork and other artifacts.

What the researchers found was shared in a study published by the journal Antiquity.


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